The Archbishop of Canterbury's visit to Zimbabwe

Historical scenes yesterday from the heart of the City Sports Centre in Harare as The Archbishop of Canterbury, together with other leaders and dignitaries, addressed Zimbabweans during his visit here and to other surrounding countries within the Anglican Province of Central Africa.  It was moving to witness the show of solidarity and support to people of faith who have faced much adversity and opposition and against whom violence and threats have been levelled.  In a society where daily life often seems to warrent navigation through many a shade of grey, and moral and ethical dialemas can blur through their complex layers, it could seem a hopeless or unsurmountable challenge to question the powers that be.  Compliance can seem a far easier path than challenge, yet something surely dies in the very acceptance.  So it was pertinant to hear such core values as justice, freedom, equality and provision for the vulnerable within society, be spoken of, not lightly but as costly and weighty, to stand out from other negative human qualities that have played a huge role here.  I found it so refreshing to be reminded of the bigger picture and to lift our eyes to that again.  Here is the text of the sermon given. 

Othello at HIFA

Here's the entry about our show: The Gospel of Othello from the Harare International Festival of Arts website.


The Gospel of Othello


Just arrived back in Bulawayo from HIFA...more from me about the show soon!

Othello: Week Two

So here we are.  Managed to grab an hour to myself away from the Big Othello House for a shot span of time.  It feels great!  We’re halfway through the second week of the project and have been joined by Juan and Harold who are our musical director and choreographer respectively.  The original core group who were part of the original Bulawayo version of The Gospel of Othello have been joined by a variety of Harare-based performers including musicians and actors.  Things are progressing really well but it’s definitely intensive and demanding.  The combination of simultaneously working on the dance and movement, music and text components of the show is both stimulating and exhausting.  In snatched moments of free-time it’s hard to know what to begin going over and working on myself.  And I’m a little sleep-deprived…! The five girls are sharing a room which makes for an intense communal lifestyle! But all in all it’s really good and there’s some interesting ideas and work emerging.  

For me personally, I am at the stage of needing to somehow learn lines and work on the character of Desdemonda in various ways.  I also need to learn a whole bunch of music – most in languages other than English (and I’m not very good with languages!!) as well as dance routines and chorus work.  I have an interesting relationship with dancing.  While I love it, I don’t think I am particularly good at it (it’s definitely a myth that all girl’s can dance well!) and I’m finding, as I guess I did expect to, that there are many things that are culturally specific and what’s normal or default to one person is actually so different to others from another background.  It’s already emerged in terms of dance – what’s natural in terms of beat and body to everyone else isn’t necessarily to me – and I’m sure it’s also evident in other areas too.  But that’s the beauty of what we’re involved in and for me it’s part of the reason I wanted to be involved in this project.  I didn’t expect it to be easy.  But I did expect it to be stretching and stimulating and that’s certainly what is emerging.   

This about sums up our relative waltzing prowess...my Othello & I have a lot of work to do!!

Othello Week One

Haven't managed to blog properly about the project I'm currently working on so here's a brief update  I’m in the middle of a really exciting and absorbing that is being put together and will showcase at at HIFA (Harare International Festival of the Arts) in a few weeks time.  Sponsored by the British Council, I participated in an intensive 2 week project in Bulawayo in September which led to a performance of Othello at the National Art Gallery.  On those foundations, a company has come together and in Harare, through a process of workshops in schools/universities/community groups and rehearsals, we’re developing a full-scale professional production.

What’s unique about this project is the underlying ethos.  The concept is the brainchild of Patrice Naiambana, as a truly pan-African production which has a diaspora dimension to it.  Patrice himself is from Sierra Leone, but currently based in the UK, the choreographer Harold George is based in Belgium and also from Sierra Leone, while the Musical director Juwon Ogungbe is originally from Nigeria, but living in London. 

The underlying mission is to deepen understanding of cultureprenuership - and the functional dimension of African Theatre - through a creative process of 'Hothausing' which offer participants experience in many areas including performing and production management. 

 It's a dream job for me, working with high calibre Director, Choreographer & Musical Director.  I couldn't ask for a more ideal scenario in which to realise my ambition to perform (theatre) at HIFA.  The whole ethos of an 100% collaborative, physical theatre piece, building on something Bulawayo (and London) birthed, that I've already journeyed with - it's perfect! It’s also very intense.  6 day weeks, long hours, working (and living) together in a different city as a company.  Not to mention the physical demands of devising a highly physical, interactive performance.  I know I'm up for the challenge and the chance to demonstrate something creatively organic, vibrant and diverse.

Mosiac Film Project

Last year I was contacted by someone working at Tearfund about a film project they're involved in.  The idea of the project is to give snapshots of some of the stories of transformation that are taking place around the globe.  Often at grassroots level and not always screaming to be noticed, nevertheless each story is amazing.  Moreover, each plays a part in a far larger story...the universal story of transformation: hope and light and love in action.

We chatted about what I'm involved with in Zim and the way that in many ways it's a role that concerns stories.  Just being where the stories are and looking for them and hearing them and perhaps in time being a small part of the relaying and telling of them.  That's been a big part of my journey over the last 3 years.

After talking, Jenny Flannagan came to visit in May 2010.  During a whistlestop weekend I introduced her to some of the people I know in Zimbabwe whose stories I know something of.  So we shared stories together for a bit and some of them made it into the film project.  

The Mosaic project is inspiring as a whole and as a resource, so I'd recommend all the short films available on the link above.  If you're particularly interested in seeing some of the guys from Zimbabwe, then especially check out the film Sparks which includes stories and footage of some of my friends who we visited and also Citizens.   

For more information about the Mosaic Film Project follow this link.  Here's the trailer for the project.

New Update Newsletter & Mailing List

Following my New Year's resolution to become better at updating people on my life in Zimbabwe, I'm starting a newsletter to give updates on what's happening and what I'm up to. 

I'll be honest, I'm not normally a big 'newsletter' type (never quite sure who I'm writing for, or what I'm meant to say!) BUT, I'm going to make an effort! 

If you're interested in being on the mailing list, please sign up using the 'Subscribe' button to the right...

(PS: I also aim to be a bit more frequent with the blogging...!)

Siyaya Gets Around!

Very surreal (but wonderful) to walk along Brook Street in London at 8pm last night and hear the feelgood strains of music associated with Makokoba, Bulawayo (and no, it wasn't simply I had my ipod on!) Siyaya again prove how world-class they are by delivering brilliant entertainment during a glamorous benefit dinner at Claridges in London in aid of Zimbabwe.  They definitely warmed up a chilly February night in London with some warm Zimbabwean vibes! 

It was surreal to travel the next day in a packed rush-hour tube surrounded on all sides by people reading The Evening Standard with this in it.  Wonder at the response had I told them the night before these 3 crashed on my bedroom floor for the night...!?!! 

Photo in The Times yesterday